Zach Bryan, known for his outspoken critiques of Nashville’s country music scene, has undergone a significant shift in perspective, thanks in part to conversations with fellow artist Morgan Wallen.
In a recent discussion with actor Matthew McConaughey, Bryan revealed that his critical stance towards Nashville stemmed more from his own mindset than from the city itself. After years of harboring grievances, he is now embracing a more nuanced view of Music City—a transformation influenced by sobriety and meaningful dialogues with artists.
Rethinking Nashville Through Unlikely Connections
Historically, Bryan has not held back from criticizing the mainstream country sound. On tracks such as “If She Wants a Cowboy” from his 2022 album American Heartbreak, he lampooned the formulaic nature of radio hits. His biting commentary continued with “Like Ida,” where he articulated feelings of alienation, stating, “When you make it to Nashville, you can tell by one hat tilt / That, that sh*t just ain’t my scene.”
However, reflection has revealed to Bryan that these grievances were self-imposed. Recording in New York made him feel aligned with a distinct artistic identity, and he often found himself disenchanted by the number of co-writers and polished production prevalent in Nashville. Bryan openly expressed admiration for the raw storytelling of artists like Townes Van Zandt and Blaze Foley, showcasing his preference for authenticity in songwriting.
Yet, meaningful interactions with artists like Jason Isbell and Morgan Wallen have prompted Bryan to re-evaluate his long-held beliefs. “I talk to Jason Isbell and I talk to [Morgan] Wallen sometimes, and I realize the chip was mine on my shoulder,” he noted, indicating a newfound understanding of his critiques.
New Experiences Kindling Inspiration
A recent visit to Nashville further solidified this shift. While working on his new EP Young Manhood and Other Donatable Organs, Bryan collaborated with Lana Del Rey on “Lies” and was invited by Kings of Leon frontman Caleb Followill to perform that evening. The following day, he recorded “Plainsman” with Turnpike Troubadours frontman Evan Felker and attended a show by Ben Howard at the iconic Ryman Auditorium.
These experiences reignited Bryan’s love for music, making him appreciate how artists in Nashville bond over their shared passion, irrespective of their musical styles. He credited sobriety and support from his wife, Samantha, for helping him gain clarity. “I think quitting drinking helped me a lot with it, but I also think just, like, taking a deep breath and realizing that the world isn’t after you,” he stated.
As Bryan continues to navigate his evolving relationship with Nashville, he emphasizes a collective experience shared by musicians across different cities, highlighting a common goal: creating relatable music while earning a living through their art.